Grand Re-Opening of the Vincent Price Museum

Despite some set backs with improper construction here and there and other bureaucratic drama, the Vincent Price Art Museum will finally open up it’s doors for the public to get to see the new space this Friday. There’s been a ton of excitement building since the opening was delayed from fall last year because of said construction drama, but now that’s all in the past and I for one am excited to see the brand new space and what it will mean for ELAC, students and the artist community. For the opening night there’s going to be some amazing works on display that barely touch on the vast collection the museum holds, which now has a state of the art storage vault. Mucho fancy !! The opening reception will be this Saturday from 6 to 8 p.m. A great night not to be missed.

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Sidewalk Stamps 2

A collection of sidewalk stamps I’ve photographed on pedestrian dérives around Boyle Heights. There are a few from Hollywood (Greenfield), Alhambra (A.E. Cook, C.B. Stratton) and Echo Park too. Exact locations have not been documented.

For more on sidewalk history, see previous posts here and here.

Long live The Walking Class!

La Caida de Edgar

Six years later and watching Edgar fall is one of the most hilarious things ever !! But then again it is pretty mean to laugh at someone else’s misfortune, but you just can’t help it. Which got me to thinking as I was laughing my ass off again watching the video, where is Edgar now ? Is he still mad at his friend for making him fall ? What happened after he fell ? Did his mom get mad at him or what ? Do people still clown on him for the video ? While I may not have answers to these questions, I do know that his video is one of the most watch and parodied videos out there. On youtube it says that the video was uploaded on May 8, but I just couldn’t wait that long to make this post. Where ever Edgar might be today, I hope he learned to laugh about it and take it with a grain a salt. You just can’t be mad about these kind of things all your life, it’s too short so enjoy it and laugh. Thanks Edgar.

Los Angeles Riots: 19th Anniversary


Anger over verdicts at Parker Center, Downtown

Every year I post this small reminder of what happened in Los Angeles 19 years ago today. And well this event has been explored, analyzed and written about over the years, I often feel like the whole story hasn’t been told. The story of the people who actually participated in the events or uprising or riots…whatever you want to call them. So here’s your space to share your stories, remembrances and reflections. Or perhaps even predictions for future similar events here in this city. The conditions seem about right.

Halcónes de Noche

I was at Georges Burgers Tuesday night grabbing dinner, which was a $1.50 hamburger, and as I was waiting for my burger I took a pic that reminded me of the Edward Hooper paiting, “Night Hawks.” Georges is a lot like the painting in that it’s frozen in time. I mean, most of the guys working there have been there for years. In fact, I asked one of the cooks and he said that the person with the least amount of time working there was 15 years. But that’s how it’s always been, the same guys cooking up fries and burgers for as long as I can remember. In fact, some of them have been there working longer than I have been alive. Despite the Mc Donald’s up the block, king taco, KFC/Taco Bell, Jack in the Box and a bunch of other restaurants around them, they’ve stayed in business all these years.  At this point, I’m looking forward to the day when I can take my kids there for a burger.

Dream + Act: Film, Videos, and Activism on Immigration

(To see a larger pic click here.)

In the on going discussions about the Federal Dream Act, Freewaves, Self Help Graphics & Art, La Causa and The East LA Society of Film and Arts (TELA SOFA) are convening artist, activist and film makers in a sort of free for all that discusses the issues around the Dream Act, immigration in the U.S., the connections between art and activism and the affects they all have in communities. These are all pretty broad topics as it is, but the panel discussion, which I’m on, the screening of short films and the discussion with the film makers will narrow down the conversations and encourage healthy dialogue that is lacking at times because of the strong passions Dream and immigration bring up. I won’t go into much detail about what is going to be discussed because even I don’t really know, but I know it’ll be good conversation none the less.

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Eat. Pray. Love?

Saturday April 16 was the free community viewing of the long anticipated first Mexican-American museum in Los Angeles called La Plaza de Cultura y Artes, which is located next to Nuestra Señora la Reina de los Angeles church at Calle Olvera.

As a younger and inexperienced artist, one of my dream goals was to have my art displayed in a museum. I thought that would be the ultimate place where my ideas, voice and craftsmanship would be appreciated and cherished. I attended all the great museum exhibits–Van Gogh, Picasso, Tamayo, Siqueiros, Da Vinci, Kahlo, Warhol and so many more that I love— standing in front of their work (where they once stood), so hungry to see how they saw. Some of those artists were never even appreciated or successfully exhibited during their lifetimes.

Afterward, when a museum bought my work for a permanent display, instead of feeling accomplished—I felt like an oddity, a curio. I know it’s the nature of me, as an artist—I’m never satisfied, always looking for the next thing. As a producer/curator, a job that was imposed on me due to the lack of opportunities for my art genre,  I enter every exhibit with a critical eye.

In truth, museums began as cabinets of curiosities and collectibles that turned into rooms filled with stuff, which people were willing to pay admission to see. All these museums started as personal taste collections that were cherished by those who had the resources to give them importance.  I am not sure this system has even changed.

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The Little Burglars of Lincoln Heights, 1906


Not the little boys from Lincoln Heights but a reasonable representation

There have always been “juvenile delinquents” on the Eastside. As the years have gone by, perhaps the ethnicity of the children has changed but the acts are the same. Kids get bored, they experiment, they are curious, they want things and figure out various ways to acquire the articles they seek. A phenomenon common to all humans. Sadly for these little burglars, their names and addresses were printed in the Los Angeles Times for all to see. Worse, the newspaper mocked their common predicament by stating: “This is the saddest time of their lives.”

THREE SMALL BURGLARS.
They All Ran Off With Pocket Knives and This Is the Saddest Time of Their Lives.
Los Angeles Times, May 24, 1906

Three small boys, none of them over thirteen years of age were charged with burglarizing the Griffin-avenue schoolhouse. The three lads have made a full confession. They are Miles and Earl Vaughan, aged 13 and 10 years who live with their parents at No. 248 at South Gates street. Their father is a switchman with Southern Pacific.
The third and smallest member of the trio is Eddie Crist, aged 9. He lives with his parents at No.516 South Gates Street. His father is a carpenter. The boys were arrested and taken to the East Side Police Station and later removed to the Detention Home.
According to the story the three lads tell, they were playing in the yard of the schoolhouse Tuesday morning It was a holiday, owing to the Fiesta parade, and no one was in the building. They pushed on the door of the building and the lock gave way.
Once inside they made a thorough search through the rooms and say they took a number of pocket knives and fountain pens. Little Eddie Crist says he only took one pocket knife. The other boys admit taking several and some fountain pens. Their only excuse is that they wanted the articles. The lads will have to face a charge of burglary in the Juvenile Court.

Article courtesy of the Los Angeles Times, all grammar and punctuation are from the original story.

In Quotes: The Labyrinth of Solitude


My great-grandmother Matilde V. Tellez at an unknown Los Angeles park, circa 1940s.

Octavio Paz lived in Los Angeles during the late 1940s. Below is an excerpt from his book The Labyrinth of Solitude.

When I arrived in the United States I lived for awhile in Los Angeles, a city inhabited by over a million persons of Mexican origin. At first sight, the visitor is surprised not only by the purity of the sky and the ugliness of the dispersed and ostentatious buildings, but also by the city’s vaguely Mexican atmosphere, which cannot be captured in words or concepts. This Mexicanism – delight in decorations, carelessness and pomp, negligence, passion and reserve – floats in the air. I say “floats” because it never mixes or unites with the other world, the North American world based on precision and efficiency. It floats, without offering any opposition; it hovers, blown here and there by wind, sometimes breaking up like a cloud, sometimes standing erect like a rising skyrocket. It creeps, it wrinkles, it expands and contracts; it sleeps or dreams; it is ragged but beautiful. It floats, never quite existing, never quite vanishing.

Farewell Lincoln Park Carousel

LA Eastside received some sad news yesterday, the Lincoln Park Carousel, which has provided thousand of kids with old-timey fun will be closing. In fact, the wooden horses might’ve already taken their last roundabout trip today.

Despite two attempts for the owners to continue on, the poor economic situation is forcing them to close. It’s a distressing situation for carousel worker Ana Salas who dedicated much time and effort to promote the carousel. “It was more than just a two minute ride” she told LA Eastside “It was a little escape and a sense of happiness for the riders. Seeing everyone’s smiles made me happy.”

Much respect to all of the Lincoln Park advocates who spent so much time and energy to keep the carousel moving for the past three years.

Lincoln Park Carousel Facebook page.

Original Los Angeles Times story about happier carousel days here.

El Chavo’s 2008 post about the first time the Lincoln Park Carousel was due to close here.

Self Help Graphics & Art is Moving!

Photo courtesy of Rosanna Ahrens

Today, Evonne Gallardo, Executive Director and the Board of Directors of Self Help Graphics & Art announced that the 40 year old institution of culture and art in East Los Angeles is moving to a new home.

Relocation from the icon building decorated in tile by artist Eduardo Oropeza, has been a buzz on the eastside for a while now—but negotiations as to where to move and being forward-facing, have been long, arduous and thorough.
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