Bordering on Love

~ Gay Beauty Pageant Contestant Antoinette (TJ O’Connell) and  stylist Marilu Molina (Silvia Tovar) Photo courtesy of Xavi Moreno

The love between a straight man and a straight woman is what has always been defined as a ‘legal’ marriage in polite society. Alas, what if that same love was shared between a gay man and a straight woman ? A rose by any other name would still smell the same, so why wouldn’t their love have the same bearing as any other couples, regardless of sexual orientation ? “Bordering on Love,” the newest production at the Company of Angels deals with that very question, when that line between what is love and what is love as defined by the federal government cross each other. Playwright Evangelina Ordaz and director Armando Molina question the governments policy to only define marriage when it applies to couples who are immigrants and/or gay, “exploring the futility of attempting to regulate human need or emotion” says Ordaz.

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Dancing Bicycle Rider of Boyle Heights Video

Last time I blogged about the Dancing Bicycle Rider of Boyle Heights, I was only able to snap some crappy photos, well now I have crappy video. I was riding with my friend to the Red Bull Soap Box Race, when I heard his yells off in the distance. I was across the street on First and Mission and was able to catch his acrobatics from across the way.

I was then able to catch up with him after meeting up with my friend on the corner of First and Alameda as he was waiting for a signal change. You can see him being unsafe by riding on the cross-walk, doing spins and almost running into people crossing the street. I almost hit him as well. He called me a “pendeja” for being on my phone. I still don’t really know who the man is or why he does what he does. But it’s still cool to watch as he does it. Kinda like performance art.

Grand Re-Opening of the Vincent Price Museum

Despite some set backs with improper construction here and there and other bureaucratic drama, the Vincent Price Art Museum will finally open up it’s doors for the public to get to see the new space this Friday. There’s been a ton of excitement building since the opening was delayed from fall last year because of said construction drama, but now that’s all in the past and I for one am excited to see the brand new space and what it will mean for ELAC, students and the artist community. For the opening night there’s going to be some amazing works on display that barely touch on the vast collection the museum holds, which now has a state of the art storage vault. Mucho fancy !! The opening reception will be this Saturday from 6 to 8 p.m. A great night not to be missed.

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Eastside Artist Sand Oner: Bow Ties Friday, April 29, 2011

Our favorite eastside artist Sand Oner will be exhibiting this Friday, April 29, 2011.  This will be her first Solo exhibition, and what better way to represent her roots than to have the exhibition at Casa De Cultura Galleria” Mariachi Plaza in  Boyle Heights.

Press release

Sand One presents: “Bow Ties” Sand Chikz A week-long art exhibit showcasing the new works on mixed media surfaces by LA’s youngest female street artist: Sand One. Los Angeles— From corn carts and taco stands in Los Angeles to the Art Basel walls in Miami, this pint-sized artist continues to leave a larger than life mark in every town she visits. In only two years Sand’s signature mob of buxom female cartoon characters, known as “Sand Chikz,” have taken the art community by storm.  Sand’s first solo exhibition in Los Angeles, “Bow Ties”, will feature her signature ultra-feminine and hood “Sand Chikz” in a different light. Each Sand Chik will be dressed in a tuxedo, symbolizing class, authority and power; three characteristics people often associate with masculinity and wealth. In “Bow Ties” Sand One’s underlying theme seeks to liberate gender-biased characteristics often imposed on women while also questioning the relationship between street art, fine art and the arts institution.

Opening Reception:
Friday, April 29, 2011
6 p.m. -11 p.m.
Closing Reception
Saturday, May 7, 2011
6 p.m. -11 p.m.
1711 Mariachi Plaza De Los Angeles 90033
Corner of Boyle and 1st

Halcónes de Noche

I was at Georges Burgers Tuesday night grabbing dinner, which was a $1.50 hamburger, and as I was waiting for my burger I took a pic that reminded me of the Edward Hooper paiting, “Night Hawks.” Georges is a lot like the painting in that it’s frozen in time. I mean, most of the guys working there have been there for years. In fact, I asked one of the cooks and he said that the person with the least amount of time working there was 15 years. But that’s how it’s always been, the same guys cooking up fries and burgers for as long as I can remember. In fact, some of them have been there working longer than I have been alive. Despite the Mc Donald’s up the block, king taco, KFC/Taco Bell, Jack in the Box and a bunch of other restaurants around them, they’ve stayed in business all these years.  At this point, I’m looking forward to the day when I can take my kids there for a burger.

Dream + Act: Film, Videos, and Activism on Immigration

(To see a larger pic click here.)

In the on going discussions about the Federal Dream Act, Freewaves, Self Help Graphics & Art, La Causa and The East LA Society of Film and Arts (TELA SOFA) are convening artist, activist and film makers in a sort of free for all that discusses the issues around the Dream Act, immigration in the U.S., the connections between art and activism and the affects they all have in communities. These are all pretty broad topics as it is, but the panel discussion, which I’m on, the screening of short films and the discussion with the film makers will narrow down the conversations and encourage healthy dialogue that is lacking at times because of the strong passions Dream and immigration bring up. I won’t go into much detail about what is going to be discussed because even I don’t really know, but I know it’ll be good conversation none the less.

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Eat. Pray. Love?

Saturday April 16 was the free community viewing of the long anticipated first Mexican-American museum in Los Angeles called La Plaza de Cultura y Artes, which is located next to Nuestra Señora la Reina de los Angeles church at Calle Olvera.

As a younger and inexperienced artist, one of my dream goals was to have my art displayed in a museum. I thought that would be the ultimate place where my ideas, voice and craftsmanship would be appreciated and cherished. I attended all the great museum exhibits–Van Gogh, Picasso, Tamayo, Siqueiros, Da Vinci, Kahlo, Warhol and so many more that I love— standing in front of their work (where they once stood), so hungry to see how they saw. Some of those artists were never even appreciated or successfully exhibited during their lifetimes.

Afterward, when a museum bought my work for a permanent display, instead of feeling accomplished—I felt like an oddity, a curio. I know it’s the nature of me, as an artist—I’m never satisfied, always looking for the next thing. As a producer/curator, a job that was imposed on me due to the lack of opportunities for my art genre,  I enter every exhibit with a critical eye.

In truth, museums began as cabinets of curiosities and collectibles that turned into rooms filled with stuff, which people were willing to pay admission to see. All these museums started as personal taste collections that were cherished by those who had the resources to give them importance.  I am not sure this system has even changed.

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CAO Recommends Eliminating Department of Cultural Affairs

In a document dated March 18, 2011, City Adminstraive Officer, Miguel A. Santana recommends eliminating the Department of Cultural Affairs to save the City $10,708,000.

Please attend the Budget and Finance Committe Meeting, Monday, March 21, 9:00 am, City Hall, Room 340, Agenda Item 9.

Here’s an excerpt from “Current and Future Opportunities to Strengthen City Government” pages 95-98 (I recommended reading the rest of the 219 page document so you can see what else he is proposing to elimnate.)
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Banksy on the Eastside


Caution – Banksy

The world’s most notorious street artist and visual prankster, Banksy, who is in town for the Oscars (his film Exit Through the Gift Shop is nominated for Best Documentary) made it east of the river to leave the residents of Boyle Heights a small visual gift for us to enjoy. It seems he is much more clued in to local politics than I thought and he is aware no doubt, that this piece might bring some attention to the plight of undocumented immigrants. Perhaps all those Oscar folks and celebrity gossipers will be forced to talk about something slightly political for once.

There’s no need to keep the location secret as the word is spreading rapidly. Plus the piece is totally visible from the street. It’s in the alley on the southwest corner of 1st and Soto. When I was there this afternoon, there was no one around and no one taking photos. There is however a film crew shooting a new movie about J Edgar Hoover right around the corner.

Bienvenido to the Eastside, Banksy!

Hollywood: Banksy redefines the Oscar Campaign, Los Angeles Times, February 24, 2011.

*Rumor has it that there are more of these stencils around Boyle Heights like for instance, on Pleasant and Cesar Chavez near the bridge.

H/T to the Boyle Heights Facebook page.

UPDATE 2/25/11: Such ridiculousness, it makes me LOL, I tell ya. The Banksy piece got tagged by someone who rolled up in car, sprayed over it and took off. Then, the owners of the building came by and cut it out the wall! Ah, the art world!
H/T to Melrose + Farifax, check the site for photos.

Video (including the piece on the bridge near Pleasant) by Jessica2Cents of Mis Neighbors here.

According to one of our Facebook readers, the second Caution piece on Pleasant has been tagged by a “$” sign but it’s still there.

Self Help Graphics & Art is Moving!

Photo courtesy of Rosanna Ahrens

Today, Evonne Gallardo, Executive Director and the Board of Directors of Self Help Graphics & Art announced that the 40 year old institution of culture and art in East Los Angeles is moving to a new home.

Relocation from the icon building decorated in tile by artist Eduardo Oropeza, has been a buzz on the eastside for a while now—but negotiations as to where to move and being forward-facing, have been long, arduous and thorough.
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“How Does Street Art Humanize Cities” Panel

A couple of weeks ago I attended the Zocalo Square panel discussion on street art called “How Does Street Art Humanize Cities” to support the the homie Man Uno at the Fowler Museum. Along side Man One, the panel included Patrick Polk (Fowler Museum curator), Aaron Rose (co-curator of MOCA’s forthcoming street art exhibit), Retna and was moderated by Jori Finkel (arts writer, LA Times).  It was packed as I’m sure everyone anticipated it would turn into the “Blu Wall/Censorship” discussion.  To see if it did or didn’t click HERE to watch the video.